ceci n’est pas une pipe

factoryman and himself expressed for himself, about himself and made into an artifact for his pleasure rightly is called art. a paleolithic frank scrawling a record of experience on a cave wall so as to stop time and space for himself is genuinely artistic whereas the claptrap of the historically defined artist is nothing more than a phantasmagoria designed to pick a pocket. l’art pour l’art commodifies and legitimizes the escapism of solipsistic labor evaders, denigrating the relation between man and his symbols while turning the process outward and into an exhibition of grotesque capitalistic impulses. artistic expression is rendering an artifact of the self for the self about the self and any end outside that is whoremongering.

you can calculate the worth of a man by the number of his enemies, and the importance of a work of art by the harm that is spoken of it.

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